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| author | uakci <uakci@uakci.eu> | 2020-12-19 04:55:30 +0100 |
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diff --git a/2004-en-alt/ithkuil-ch3-basic-morphology.html b/2004-en-alt/ithkuil-ch3-basic-morphology.html index 3a2e8c7..e355917 100755..100644 --- a/2004-en-alt/ithkuil-ch3-basic-morphology.html +++ b/2004-en-alt/ithkuil-ch3-basic-morphology.html @@ -101,8 +101,8 @@ cognitively distinct from one another, but rather as complementary manifestations of ideas existing in a common underlying semantic continuum whose components are space and time. The equivalents to nouns and verbs in other languages are - merely reified (or nominalized) and activized (or - verbalized) derivatives of semantic formatives. Nevertheless, for simplicitys + merely âreifiedâ (or nominalized) and âactivizedâ (or + verbalized) derivatives of semantic formatives. Nevertheless, for simplicityâs sake, we will refer to nominal formatives as nouns and verbal formatives as verbs when discussing their morphology.</P> <P align="justify">All Ithkuil formatives, whether functioning as nouns or verbs, @@ -138,20 +138,20 @@ composition, separability, compartmentalization, physical similarity or componential structure. This is best explained and illustrated by means of analogies to certain English sets of words.</P> -<P align="justify">Consider the English word tree. In English, a +<P align="justify">Consider the English word âtree.â In English, a single tree may stand alone out of context, or it may be part of a group of trees. Such a group of trees may simply be two or more trees considered as a plural category based on mere number alone, e.g., two, three, or twenty trees. However, it is the nature of trees to exist in more contextually relevant groupings than merely numerical ones. For example, the trees may be of like species as - in a grove of trees. The grouping may be an assortment of different - kinds of trees as in a forest or occur in patternless disarray - such as a jungle.</P> -<P align="justify">As another example, we can examine the English word person. - While persons may occur in simple numerical groupings such as a (single) - person or three persons it is more common to find persons + in a âgroveâ of trees. The grouping may be an assortment of different + kinds of trees as in a âforestâ or occur in patternless disarray + such as a âjungle.â</P> +<P align="justify">As another example, we can examine the English word âperson.â + While persons may occur in simple numerical groupings such as âa (single) + personâ or âthree personsâ it is more common to find persons (i.e., people) referred to by words which indicate various groupings such as - group, gathering, crowd, etc. </P> + âgroup,â âgathering,â âcrowd,â etc. </P> <P align="justify">Segmentation and amalgamated componential structure are further configurative principles which distinguish related words in English. The relationships between <EM>car</EM> versus <EM>convoy</EM>, <EM>hanger</EM> versus <EM>rack</EM>, @@ -162,18 +162,18 @@ <P align="justify">Another type of contextual grouping of nouns occurs in binary sets, particularly in regard to body parts. These binary sets can comprise two identical referents as in <EM>a pair of eyes</EM>, however they are more often - opposed or mirror-image (i.e., complementary) sets as in <EM>limbs</EM>, + opposed or âmirror-imageâ (i.e., complementary) sets as in <EM>limbs</EM>, <EM>ears</EM>, <EM>hands</EM>, <EM>wings</EM>, etc.</P> <P align="justify">In Ithkuil, the semantic distinctions implied by the above examples as they relate to varying assortments of trees or persons would be - accomplished by inflecting the word-stem for tree or person + accomplished by inflecting the word-stem for âtreeâ or âpersonâ into one of nine configurations. Additional semantic distinctions on the basis of purpose or function between individual members of a set could then be made by means of Affiliation (see <A href="ithkuil-ch3-morphology.htm#Sec3o2">Section 3.2</A> below) and by - the use of specific affixes. For example, once the words for forest - or crowd were derived from tree and person - via Configuration, the Ithkuil words for orchard, copse, - team or mob could easily be derived via affiliation + the use of specific affixes. For example, once the words for âforestâ + or âcrowdâ were derived from âtreeâ and âpersonâ + via Configuration, the Ithkuil words for âorchard,â âcopse,â + âteamâ or âmobâ could easily be derived via affiliation and affixes. (Such derivations into new words using affixes are explored in detail in <A href="ithkuil-ch7a-affixes.html" onclick="javascript:changenav7();">Chapter 7: Using Affixes</A>.)</P> @@ -217,14 +217,14 @@ </DIV> <P align="justify">The <FONT size="2">DUPLEX</FONT> configuration is marked by Grade 2 mutation of the C<FONT size="1">1</FONT> radical consonant and indicates - a related binary set. While it often refers to body parts, e.g., ones + a related binary set. While it often refers to body parts, e.g., oneâs eyes, ears, lungs, wings, etc., it can also be used to describe any set of two identical or complementary objects or entities, e.g., <EM>a matched pair of vases, a two-volume set, a set of bookends, mutual opponents</EM>. Thus, the Ithkuil word for <EM>spouse</EM> inflected for the <FONT size="2">DUPLEX</FONT> configuration would translate as <EM>a man and wife</EM> or <EM>a married couple</EM>.</P> <P align="justify">One context in which the <FONT size="2">DUPLEX</FONT> appears - for both nouns and verbs is with events which contain two complementary halves + for both nouns and verbs is with events which contain two complementary âhalvesâ exemplified by English words such as <EM>bounce</EM>, <EM>flash</EM>, <EM>arc</EM>, <EM>wag</EM>, <EM>swing</EM>, <EM>switch</EM>, <EM>breathe/respiration</EM>, indeed, any concept which involves a dual-state notion of up/down, to/fro, back/forth, @@ -233,7 +233,7 @@ For example the word for <EM>hammer blow</EM> inflected for the <FONT size="2">UNIPLEX</FONT> would signify the singular impact of the hammer, whereas the same word inflected for the <FONT size="2">DUPLEX</FONT> signifies a single down-then-up cycle of - the swing of the hammer, the two complementary halves of the action + the swing of the hammer, the two complementary âhalvesâ of the action being divided by the impact.</P> <BR> @@ -262,7 +262,7 @@ or <EM>object</EM> inflected for the <FONT size="2">DISCRETE</FONT> configuration. Note that the distinction between a spatially configured set versus a temporally (i.e., iterative) configured set would be made by use of an additional affix, - -V<FONT size="1">1</FONT><FONT face="Arial, Helvetica, sans-serif"><STRONG>k</STRONG></FONT>, + -V<FONT size="1">1</FONT><FONT face="Arial, Helvetica, sans-serif"><STRONG>ĆĄk</STRONG></FONT>, specifying which spacetime axis is implied. This affix is analyzed in <A href="ithkuil-ch7b-affixes-contd.htm#Sec7o7o13" onclick="javascript:changenav7();">Sec. 7.7.13</A>.</P> <P align="justify">For verbs, the <FONT size="2">DISCRETE</FONT> signifies a single @@ -428,7 +428,7 @@ by Grade 9 mutation of the C<FONT size="1">1</FONT> radical consonant and is the most difficult to explain, as there is no Western linguistic equivalent. The <FONT size="2">MULTIFORM</FONT> serves to identify the noun as an individual - member of a fuzzy set. A fuzzy set is a term which originates + member of a âfuzzyâ set. A fuzzy set is a term which originates in non-traditional logic, describing a set whose individual members do not all share the same set-defining attributes to the same degree, i.e., while there may be one or more archetypical members of the set which display the defining @@ -436,12 +436,12 @@ vary from this archetypical norm by a wide range of degrees, whether in physical resemblance, degree of cohesion or both. Indeed, some members of the set may display very little resemblance to the archetype and be closer to the archetype - of a different fuzzy set, i.e., fuzzy sets allow for the idea of gradient - overlap between members of differing sets.</P> + of a different fuzzy set, i.e., fuzzy sets allow for the idea of âgradient + overlapâ between members of differing sets.</P> <P align="justify">It is difficult to accurately translate into English without resorting to paraphrase the sorts of concepts that Ithkuil easily expresses using the <FONT size="2">MULTIFORM</FONT>. For example, the Ithkuil word for - tree inflected for the <FONT size="2">MULTIFORM</FONT> configuration + âtreeâ inflected for the <FONT size="2">MULTIFORM</FONT> configuration would mean something like <EM>a group of what appear to be trees</EM>, or better yet, <EM>a group of tree-like objects</EM> (i.e., some being trees, and others seeming less like trees). Essentially, any set of entities whose similarity @@ -519,7 +519,7 @@ normally applied to nouns in the <FONT size="2">UNIPLEX</FONT> configuration when spoken of in a neutral way, since a noun in the <FONT size="2">UNIPLEX</FONT> specifies one single entity without reference to a set, therefore the concept - of shared function would be inapplicable. Examples: <EM>a man, + of âsharedâ function would be inapplicable. Examples: <EM>a man, a door, a sensation of heat, a leaf</EM>. With verbs, the <FONT size="2">CONSOLIDATIVE</FONT> would imply that the act, state, or event is occurring naturally, or is neutral as to purpose or design.</P> @@ -550,12 +550,12 @@ orchard</EM>. </P> <P align="justify">The <FONT size="2">ASSOCIATIVE</FONT> affiliation can also be used with nouns in the <FONT size="2">UNIPLEX</FONT> configuration to signify - a sense of unity amongst ones characteristics, purposes, thoughts, etc. + a sense of unity amongst oneâs characteristics, purposes, thoughts, etc. For example, the word <EM>person</EM> inflected for the <FONT size="2">UNIPLEX</FONT> and <FONT size="2">ASSOCIATIVE</FONT> would translate as <EM>a single-minded person</EM>. Even nouns such as <EM>rock</EM>, <EM>tree</EM> or <EM>work of art</EM> could be inflected this way, subjectively translatable as <EM>a well-formed - rock, a tree with integrity</EM>, <EM>a balanced work of art</EM>.</P> + rock, a tree with integrity</EM>, <EM>a âbalancedâ work of art</EM>.</P> <P align="justify">With verbs, the <FONT size="2">ASSOCIATIVE</FONT> signifies that the act, state or event is by design or with specific purpose. The <FONT size="2">CONSOLIDATIVE</FONT> versus <FONT size="2">ASSOCIATIVE</FONT> distinction could be used, for example, @@ -586,7 +586,7 @@ a rag-tag group, a dysfunctional couple, a cacophony of notes, of a mess of books, a collection in disarray</EM>. It operates with nouns in the <FONT size="2">UNIPLEX</FONT> to render meanings such as <EM>a man at odds with himself, an ill-formed rock, - a chaotic piece of art, a lefthand-righthand situation</EM>.</P> + a chaotic piece of art, a âlefthand-righthandâ situation</EM>.</P> <P align="justify">With verbs, the <FONT size="2">VARIATIVE</FONT> indicates an act, state, or event that occurs for more than one reason or purpose, and that those reasons or purposes are more or less unrelated. This sense can probably @@ -615,16 +615,16 @@ <P align="justify">The <FONT size="2">COALESCENT</FONT> affiliation indicates that the members of a configurational set share in a complementary relationship with respect to their individual functions, states, purposes, benefits, etc. - This means that, while each members function is distinct from those of + This means that, while each memberâs function is distinct from those of other members, each serves in furtherance of some greater unified role. For example, the Ithkuil word translating English <EM>toolset</EM> would be the word for <EM>tool</EM> in the <FONT size="2">AGGREGATIVE</FONT> configuration - (due to each tools distinct physical appearance) and the <FONT size="2">COALESCENT</FONT> + (due to each toolâs distinct physical appearance) and the <FONT size="2">COALESCENT</FONT> affiliation to indicate that each tool has a distinct but complementary function in furtherance of enabling construction or repair activities. Another example would be the Ithkuil word for <EM>finger</EM> inflected for the <FONT size="2">SEGMENTATIVE</FONT> configuration and the <FONT size="2">COALESCENT</FONT> affiliation, translatable - as the fingers on ones hand (note the use of the <FONT size="2">SEGMENTATIVE</FONT> + as the fingers on oneâs hand (note the use of the <FONT size="2">SEGMENTATIVE</FONT> to imply the physical connection between each finger via the hand). A further example would be using the <FONT size="2">COALESCENT</FONT> with the word for <EM>(piece of) food</EM> to signify <EM>a well-balanced meal.</EM></P> @@ -632,10 +632,10 @@ often in conjunction with the <FONT size="2">DUPLEX</FONT> configuration since binary sets tend to be complementary. It is used, for example, to signify symmetrical binary sets such as body parts, generally indicating a lefthand/righthand mirror-image - distinction, e.g., <EM>ones ears, ones hands, a pair of wings</EM>. + distinction, e.g., <EM>oneâs ears, oneâs hands, a pair of wings</EM>. Pairs that do not normally distinguish such a complementary distinction (e.g., - <EM>ones eyes</EM>) can nevertheless be optionally placed in the <FONT size="2">COALESCENT</FONT> - affiliation to emphasize bilateral symmetry (e.g., <EM>ones left and + <EM>oneâs eyes</EM>) can nevertheless be optionally placed in the <FONT size="2">COALESCENT</FONT> + affiliation to emphasize bilateral symmetry (e.g., <EM>oneâs left and right eye functioning together</EM>).</P> <P align="justify">With verbs, the <FONT size="2">COALESCENT</FONT> signifies that related, synergistic nature of the component acts, states, and events which @@ -662,7 +662,7 @@ specifically address the quantity to which a formative is instantiated within a given context, nor when it occurs relative to the present, but rather the manner in which it is <EM>spatio-temporally instantiated</EM>. Specifically, - Perspective indicates whether a noun or verb is to be identified as 1) a bounded + Perspective indicates whether a noun or verb is to be identified as 1) a âboundedâ contextual entity (i.e., having a spatio-temporally unified or accessible manifestation), 2) an unbounded entity (i.e., manifested as spatio-temporally separated or inaccessible), 3) as a unified collective or generic entity throughout spacetime, or 4) as @@ -676,21 +676,21 @@ Affiliation (see<FONT color="#FF0000"> </FONT><A href="ithkuil-ch3-morphology.htm#Sec3o1">Secs. 3.1</A><FONT color="#FF0000"> </FONT>and<FONT color="#FF0000"> </FONT><A href="ithkuil-ch3-morphology.htm#Sec3o2">3.2</A> above) already contain an implicit numerical element due to the fact that they usually describe - multi-membered sets. It is for all these reasons that the terms singular - and plural have been avoided. </P> + multi-membered sets. It is for all these reasons that the terms âsingularâ + and âpluralâ have been avoided. </P> <P align="justify"><STRONG>Perspective with Verbs</STRONG>. For verbs, the aspect - of boundedness inherent in Perspective does not imply a quantitative - context but rather an aspect of spatio-temporal accessibility, + of âboundednessâ inherent in Perspective does not imply a quantitative + context but rather an aspect of spatio-temporal âaccessibility,â i.e., whether or not an act, state, or event can be viewed as a unified whole - within the present temporal context. This is a long way from the tense + within the present temporal context. This is a long way from the âtenseâ categories of Western languages. In Ithkuil, the notion of linearly progressive time is not inherently expressed in the verb (although it can be specified, if necessary, using various aspectual markers - see <A href="ithkuil-ch6-moreverbs.htm#Sec6o4">Sec. 6.4</A>).</P> <P align="justify">There are four perspectives in Ithkuil: <FONT size="2">MONADIC</FONT>, <FONT size="2">UNBOUNDED</FONT>, <FONT size="2">NOMIC</FONT>, and <FONT size="2">ABSTRACT</FONT>. - They are shown morpho-phonologically by shifts in a formatives syllabic - stress patterns. Each perspectives specific meaning and usage is detailed + They are shown morpho-phonologically by shifts in a formativeâs syllabic + stress patterns. Each perspectiveâs specific meaning and usage is detailed below.</P><BR> @@ -703,21 +703,21 @@ </TR> </TBODY></TABLE> <P align="justify">The <FONT size="2">MONADIC</FONT> signifies a bounded embodiment - of a particular configuration. By bounded embodiment is meant + of a particular configuration. By âbounded embodimentâ is meant a contextual entity which, though possibly numerous in membership or multifaceted in structure, or spread out through a time duration, is nevertheless being contextually - viewed and considered as a monad, a single, unified whole perceived + viewed and considered as a âmonad,â a single, unified whole perceived to exist within a literal or figurative psychologically uninterrupted boundary. This is important, since configurations other than the <FONT size="2">UNIPLEX</FONT> technically imply more than one discrete entity/instance being present or taking place. For nouns, this boundary is physically contiguous, like a container, - corresponding to the surface of an object (whether literal or + corresponding to the âsurfaceâ of an object (whether literal or psychological). For verbs, this boundary is psychologically temporal, specifically - the present (which in Ithkuil might be better thought of as the - context at hand or the immediately accessible context). - This distinction as to how bounded embodiment is interpreted for + the âpresentâ (which in Ithkuil might be better thought of as the + âcontext at handâ or the âimmediately accessible contextâ). + This distinction as to how âbounded embodimentâ is interpreted for nouns and verbs is appropriate, given that Ithkuil considers nouns as <EM>spatially - reified</EM> concepts while considering verbs to be their <EM>temporally activized</EM> + reified</EM> concepts while considering verbs to be their <EM>temporally âactivizedâ</EM> counterparts (<A href="ithkuil-ch2-morphophonology.htm#Sec2o6o1">see Section 2.6.1</A>).</P> <P align="justify">Thus, using the word <EM>tree</EM> for example, while there might be many trees present in terms of number, the <FONT size="2">MONADIC</FONT> @@ -726,16 +726,16 @@ an example, the <FONT size="2">MONADIC</FONT> would mean there is only one <FONT size="2">AGGREGATIVE</FONT> set of trees, i.e., one <EM>forest</EM>. </P> <P align="justify">At this point, it should be noted in regard to Perspective - that Ithkuil makes no distinction between count and non-count - (or mass) nouns. In languages such as English, nouns differ between + that Ithkuil makes no distinction between âcountâ and ânon-countâ + (or âmassâ) nouns. In languages such as English, nouns differ between those that can be counted and pluralized (e.g., <EM>one apple, four boys, several nations</EM>), and those which cannot be counted or pluralized (e.g., <EM>water, sand, plastic, air, laughter</EM>). All nouns are countable in Ithkuil in that all nouns can exist as contextual monads. As a result, English translations - of certain Ithkuil nouns must often be contextual rather than + of certain Ithkuil nouns must often be âcontextualâ rather than literal, employing various conventions to put the noun in a numerical and pluralizable - context, e.g., some dirt, the air here or a - puff of air rather than a dirt or an air.</P> + context, e.g., âsome dirt,â âthe air hereâ or âa + puff of airâ rather than âa dirtâ or âan air.â</P> <P align="justify">With verbs, the <FONT size="2">MONADIC</FONT> superficially corresponds in a very approximate fashion with Western present tense categories except in a habitual sense. As noted above, the bounded embodiment conveyed @@ -775,12 +775,12 @@ </FONT> </DIV> </LI> </UL> -<P align="justify">By accessible past or accessible future +<P align="justify">By âaccessible pastâ or âaccessible futureâ is meant a past or future where the speaker was (or will be) spatially present - at the time and the time elapsed between then and now is psychologically + at the time and the time elapsed between then and ânowâ is psychologically contiguous, i.e., the speaker views the passage of time from then till now as one continuous temporal flow of moments, not as disconnected memories, disconnected - predictions, or historical reports. Conversely, inaccessible would + predictions, or historical reports. Conversely, âinaccessibleâ would mean a past or future where the speaker was not or will not be present or which he/she knows only from memory, reports, or predictions.</P> <P align="justify">The <FONT size="2">MONADIC</FONT> is marked by penultimate @@ -795,19 +795,19 @@ <TD width="67%"><FONT size="4"><STRONG>The Unbounded</STRONG></FONT></TD> </TR> </TBODY></TABLE> -<P align="justify">The <FONT size="2">UNBOUNDED</FONT> signifies unbounded - embodiment of a particular configurative entity, meaning that the noun +<P align="justify">The <FONT size="2">UNBOUNDED</FONT> signifies âunbounded + embodimentâ of a particular configurative entity, meaning that the noun or verb manifests itself as not being contained within an uninterrupted boundary, - i.e., in contextually disconnected manifestations. For nouns, - the term plural has been avoided so as not to imply that the member + i.e., in contextually âdisconnectedâ manifestations. For nouns, + the term âpluralâ has been avoided so as not to imply that the member nouns are not being referred to quantitatively per se, but rather as a non-monadic (i.e., non-unified) manifestation of a configurative set. While the most convenient translation into English would be to use the plural, e.g., trees, groves, lumps of dirt, a semantically (if not morphologically) more accurate rendering would - be a tree here, a tree there, this grove and another and - another
, dirt-lump after dirt-lump after dirt-lump
. + be âa tree here, a tree there,â âthis grove and another and + anotherâŠ,â âdirt-lump after dirt-lump after dirt-lumpâŠ.â </P> -<P align="justify">For verbs, unbounded embodiment means that the +<P align="justify">For verbs, âunbounded embodimentâ means that the psychological temporal boundary of an act, state, or event is not accessible from the present context. This would apply to an act, state, or event which:</P> <UL> @@ -895,7 +895,7 @@ suffixes, all Ithkuil nouns in all Configurative categories can be made into abstracts, the translations of which must often be periphrastic in nature, e.g., <EM>grove</EM> <IMG src="assets/arrow.gif" width="17" height="9"> - <EM>the idea of being a grove</EM> or <EM>grovehood</EM>; <EM>book</EM> + <EM>the idea of being a grove</EM> or <EM>âgrovehoodâ</EM>; <EM>book</EM> <EM><IMG src="assets/arrow.gif" width="17" height="9"> everything about books, having to do with books, involvement with books</EM>.</P> <P align="justify">With verbs, the <FONT size="2">ABSTRACT</FONT> is used in verbal @@ -916,12 +916,12 @@ <P align="justify">The <FONT size="2">ABSTRACT</FONT> is marked in either of two ways: (1) by preantepenultimate stress, i.e., on the fourth-to-last syllable, or (2) by a combination of ultimate stress plus the addition of an anaptyctic - vowel -<STRONG>ï</STRONG>- or -<STRONG>a</STRONG>- in any morpho-phonologically + vowel -<STRONG>Ä</STRONG>- or -<STRONG>a</STRONG>- in any morpho-phonologically permissible position of the word (as previously described in <A href="ithkuil-ch2-morphophonology.htm#Sec2o7o3o3">Sec. 2.7.3.3</A>). This extra vowel can be placed at any position within the word except within the stem, as long as the vowel does not lead to confusion or ambiguity in interpreting the phonological boundaries of any other suffixes to the stem. - (Note that in word-final position, only anatyctic -<STRONG>a</STRONG>, not -<STRONG>ï</STRONG>, + (Note that in word-final position, only anatyctic -<STRONG>a</STRONG>, not -<STRONG>Ä</STRONG>, is permitted.)</P> <P align="justify"> </P> @@ -981,39 +981,39 @@ <TD width="9%" bgcolor="#CCCCCC"> <DIV align="center"><STRONG>CSL</STRONG></DIV></TD> <TD width="21%" bgcolor="#CCCCCC"> <DIV align="center"><FONT size="2" face="Arial, Helvetica, sans-serif">CONSOLIDATIVE</FONT></DIV></TD> <TD><DIV align="center"><STRONG>(a-)*</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>â-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ăą-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>ai-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>au-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ä-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ö-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ă€-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>ö-</STRONG></DIV></TD> </TR> <TR> <TD bgcolor="#CCCCCC"> <DIV align="center"><STRONG>ASO</STRONG></DIV></TD> <TD bgcolor="#CCCCCC"> <DIV align="center"><FONT size="2" face="Arial, Helvetica, sans-serif">ASSOCIATIVE</FONT></DIV></TD> <TD><DIV align="center"><STRONG>u-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>û-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ʊ-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>ui-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>iu-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ü-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ë-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>ĂŒ-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ă«-</STRONG></DIV></TD> </TR> <TR> <TD bgcolor="#CCCCCC"> <DIV align="center"><STRONG>VAR</STRONG></DIV></TD> <TD bgcolor="#CCCCCC"> <DIV align="center"><FONT size="2" face="Arial, Helvetica, sans-serif">VARIATIVE</FONT></DIV></TD> <TD><DIV align="center"><STRONG>e-</STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ê-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ä-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>ei-</STRONG></DIV></TD> <TD><DIV align="center"><STRONG>eu- </STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ëi- </STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ëu-</STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ă«i- </STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ă«u-</STRONG></DIV></TD> </TR> <TR> <TD bgcolor="#CCCCCC"> <DIV align="center"><STRONG>COA</STRONG></DIV></TD> <TD bgcolor="#CCCCCC"> <DIV align="center"><FONT size="2" face="Arial, Helvetica, sans-serif">COALESCENT</FONT></DIV></TD> <TD><DIV align="center"><STRONG>i- </STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>î- </STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>Ăź- </STRONG></DIV></TD> <TD><DIV align="center"><STRONG>o- </STRONG></DIV></TD> - <TD><DIV align="center"><STRONG>ô- </STRONG></DIV></TD> + <TD><DIV align="center"><STRONG>ĂŽ- </STRONG></DIV></TD> <TD><DIV align="center"><STRONG>ae- </STRONG></DIV></TD> <TD><DIV align="center"><STRONG>ea-</STRONG></DIV></TD> </TR> @@ -1053,7 +1053,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> beyond which the noun or verb does not exist or occur. The graphic to the right illustrates the spatio-temporal relationship of a concept in the <FONT size="2">DELIMITIVE</FONT> to the context at-hand (i.e., the - spatio-temporal present).</DIV></TD> + spatio-temporal âpresentâ).</DIV></TD> <TD><IMG src="assets/3-4-1.gif" width="344" height="203"></TD> </TR> </TBODY></TABLE> @@ -1080,15 +1080,15 @@ of knowing the formative's nominal or verbal status.</FONT><BR> tree are not relevant or applicable to the context at hand. With verbs, this extension signifies that it is not the entirety of an act, state, or event which is being considered, but rather the spatial extent or durational period of the - act, state, or event relevant to the context, e.g., <EM>Shes on a diet - every winter</EM> (i.e., focus on having to live on a diet, not + act, state, or event relevant to the context, e.g., <EM>Sheâs on a diet + every winter</EM> (i.e., focus on âhaving to live onâ a diet, not the total time spent dieting from start to finish). </P> <P align="justify"></P> <TABLE width="86%" border="0" cellpadding="0"> <TBODY><TR> <TD width="55%"><DIV align="justify">The graphic to the right illustrates the spatio-temporal relationship of a noun or verbal concept in the <FONT size="2">PROXIMAL</FONT> - to the context at-hand (i.e., the spatio-temporal present).</DIV></TD> + to the context at-hand (i.e., the spatio-temporal âpresentâ).</DIV></TD> <TD width="45%"><IMG src="assets/3-4-2.gif" width="356" height="251"></TD> </TR> </TBODY></TABLE> @@ -1107,16 +1107,16 @@ of knowing the formative's nominal or verbal status.</FONT><BR> be used in translating the nouns <EM>tunnel</EM>, <EM>song</EM>, <EM>desert</EM>, <EM>daybreak</EM> and <EM>plan</EM> in the following sentences: <EM>We looked into (the mouth of) the tunnel, He recognizes that song </EM>(i.e., from the - first few notes)<EM>, They came upon (an expanse of) desert, Lets wait - for daybreak, Im working out a plan</EM> (i.e., that I just thought of). - In verbal contexts it would correspond to the English to begin (to)
- or to start (to)
as in <EM>He began reading, Its + first few notes)<EM>, They came upon (an expanse of) desert, Letâs wait + for daybreak, Iâm working out a plan</EM> (i.e., that I just thought of). + In verbal contexts it would correspond to the English âto begin (to)âŠâ + or âto start (to)âŠâ as in <EM>He began reading, Itâs starting to molt, or She goes on a diet every winter</EM>.</P> <TABLE width="86%" border="0" cellpadding="0"> <TBODY><TR> <TD><DIV align="justify">The graphic to the right illustrates the spatio-temporal relationship of a noun or verbal concept in the <FONT size="2">INCEPTIVE</FONT> - to the context at-hand (i.e., the spatio-temporal present).</DIV></TD> + to the context at-hand (i.e., the spatio-temporal âpresentâ).</DIV></TD> <TD><IMG src="assets/3-4-3.gif" width="361" height="227"></TD> </TR> </TBODY></TABLE> @@ -1133,15 +1133,15 @@ of knowing the formative's nominal or verbal status.</FONT><BR> the end, termination, last portion, or trailing boundary of a noun, without focusing on the preceding or previously existing state of the noun. It would be used in translating the words <EM>water</EM>, <EM>story</EM>, and <EM>arrival</EM> - in the sentences <EM>Theres no water</EM> (i.e., we ran out), <EM>I like + in the sentences <EM>Thereâs no water</EM> (i.e., we ran out), <EM>I like the end of that story</EM>, and <EM>We await your arrival</EM>. With verbs, - it is illustrated by the sentences <EM>It finished molting</EM> or <EM>Shes + it is illustrated by the sentences <EM>It finished molting</EM> or <EM>Sheâs come off her diet</EM>.</P> <TABLE width="86%" border="0" cellpadding="0"> <TBODY><TR> <TD><DIV align="justify">The graphic to the right illustrates the spatio-temporal relationship of a noun or verbal concept in the <FONT size="2">TERMINATIVE</FONT> - to the context at-hand (i.e., the spatio-temporal present).</DIV></TD> + to the context at-hand (i.e., the spatio-temporal âpresentâ).</DIV></TD> <TD><IMG src="assets/3-4-4.gif" width="378" height="246"></TD> </TR> </TBODY></TABLE> @@ -1155,21 +1155,21 @@ of knowing the formative's nominal or verbal status.</FONT><BR> </TR> </TBODY></TABLE> <P align="justify">The <FONT size="2">DEPLETIVE</FONT> extension focuses on the - terminal boundary or trailing edge of a noun, where this terminus - is ill-defined, diffuse or extended to some degree, (i.e. the - at-hand context of the noun peters out or terminates gradually). + terminal boundary or âtrailingâ edge of a noun, where this terminus + is ill-defined, âdiffuseâ or extended to some degree, (i.e. the + at-hand context of the noun âpeters outâ or terminates gradually). Essentially, it applies to any context involving actual or figurative fading. It would be used in translating the words <EM>water</EM>, <EM>strength</EM>, and <EM>twilight</EM> in the sentences <EM>He drank the last of the water, I have little strength left, She disappeared into the twilight</EM>. With verbs, it is exemplified by the phrases <EM>to wind down, to fade out, to disappear - gradually</EM> and similar notions, e.g., <EM>Shes eating less and less + gradually</EM> and similar notions, e.g., <EM>Sheâs eating less and less these days</EM>.</P> <TABLE width="88%" border="0" cellpadding="0"> <TBODY><TR> <TD width="38%"><DIV align="justify">The graphic to the right illustrates the spatio-temporal relationship of a noun or verbal concept in the <FONT size="2">DEPLETIVE</FONT> - to the context at-hand (i.e., the spatio-temporal present).</DIV></TD> + to the context at-hand (i.e., the spatio-temporal âpresentâ).</DIV></TD> <TD width="62%"><IMG src="assets/3-4-5.gif" width="373" height="237"></TD> </TR> </TBODY></TABLE> @@ -1183,18 +1183,18 @@ of knowing the formative's nominal or verbal status.</FONT><BR> </TR> </TBODY></TABLE> <P align="justify">The <FONT size="2">GRADUATIVE</FONT> extension is the inverse - of the <FONT size="2">DEPLETIVE</FONT>, focusing on a diffuse, extended fade-in + of the <FONT size="2">DEPLETIVE</FONT>, focusing on a diffuse, extended âfade-inâ or gradual onset of a noun. It would be used in translating the words <EM>darkness</EM>, <EM>wonder</EM>, and <EM>music</EM> in the following sentences: <EM>Darkness came upon us, I felt a growing sense of wonder, The music was very soft at first</EM>. With verbs it is illustrated by verbs and phrases such as <EM>to fade in, to - start gradually, to build up</EM>, and similar notions, e.g., <EM>Shes + start gradually, to build up</EM>, and similar notions, e.g., <EM>Sheâs been eating more and more lately</EM>.</P> <TABLE width="88%" border="0" cellpadding="0"> <TBODY><TR> <TD width="50%"><DIV align="justify">The graphic to the right illustrates the spatio-temporal relationship of a noun in the <FONT size="2">GRADUATIVE</FONT> to the - context at-hand (i.e., the spatio-temporal present).</DIV></TD> + context at-hand (i.e., the spatio-temporal âpresentâ).</DIV></TD> <TD width="50%"><IMG src="assets/3-4-6.gif" width="371" height="215"></TD> </TR> </TBODY></TABLE> @@ -1210,11 +1210,11 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <TD width="27%"><IMG src="assets/3-4-7d.gif" width="76" height="67"></TD> </TR> <TR> - <TD><EM>piece of clothing <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>set/suit of clothes</EM></TD> + <TD><EM>âpiece of clothingâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âset/suit of clothesâ</EM></TD> <TD> </TD> - <TD><EM>hand <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>pair of hands</EM></TD> + <TD><EM>âhandâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âpair of handsâ</EM></TD> </TR> </TBODY></TABLE> <EM><BR> @@ -1229,11 +1229,11 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <TD width="27%"><IMG src="assets/3-4-7h.gif" width="116" height="74"></TD> </TR> <TR> - <TD><EM>oak tree <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>trailing edge of an oak forest</EM></TD> + <TD><EM>âoak treeâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âtrailing edge of an oak forestâ</EM></TD> <TD> </TD> - <TD><EM>upland <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>foothills</EM></TD> + <TD><EM>âuplandâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âfoothillsâ</EM></TD> </TR> </TBODY></TABLE> <EM><BR> @@ -1245,8 +1245,8 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <TD><IMG src="assets/3-4-7j.gif" width="78" height="65"></TD> </TR> <TR> - <TD><EM>something yellow <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>a mess of varying yellow things as far as the eye can see</EM></TD> + <TD><EM>âsomething yellowâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âa mess of varying yellow things as far as the eye can seeâ</EM></TD> </TR> </TBODY></TABLE> <BR> @@ -1260,12 +1260,12 @@ of knowing the formative's nominal or verbal status.</FONT><BR> </TD> </TR> <TR> - <TD><EM>clown</EM></TD> - <TD><EM>running <BR> - stride <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> - <TD><EM>Something makes the group of running clowns begin stumbling + <TD><EM>âclownâ</EM></TD> + <TD><EM>ârunning <BR> + strideâ <IMG src="assets/arrow.gif" width="17" height="9"></EM></TD> + <TD><EM>âSomething makes the group of running clowns begin stumblingâ </EM><STRONG>or</STRONG><EM><BR> - The group of clowns are made to begin stumbling as they run.</EM></TD> + âThe group of clowns are made to begin stumbling as they run.â</EM></TD> </TR> </TBODY></TABLE> <FONT color="#FFFFFF"> _______________________________</FONT><FONT size="1" face="Arial, Helvetica, sans-serif"><A href="Sound_Files/Ch-3-1.mp3">Listen!</A> @@ -1295,13 +1295,13 @@ of knowing the formative's nominal or verbal status.</FONT><BR> new material within an actual or implied discourse. For example, the sentence <EM>My dog jumps through hoops</EM> could function as an answer to several different questions such as 1) <EM>What tricks can your dog do?</EM>, or 2) <EM>Does your - dog do anything with hoops? </EM>or 3) <EM>Do you know of anyones pet - that jumps through hoops?</EM> or even 4) <EM>Whats up with you?</EM> - In answering the first of these questions, jump through hoops + dog do anything with hoops? </EM>or 3) <EM>Do you know of anyoneâs pet + that jumps through hoops?</EM> or even 4) <EM>Whatâs up with you?</EM> + In answering the first of these questions, âjump through hoopsâ would have semantic focus while the dog is background material. In answering - the second question, the verbal phrase jump through would have + the second question, the verbal phrase âjump throughâ would have focus while both the dog and the hoops would be background material. In answering - the third question, it would be my dog that carries the focus + the third question, it would be âmy dogâ that carries the focus while jumping through hoops would be backgrounded. Lastly, in answering the fourth sentence, no element in the sentence has focus over any other, as all elements present previously unknown material within the context of the discourse. @@ -1312,12 +1312,12 @@ of knowing the formative's nominal or verbal status.</FONT><BR> case the background discourse is implied. For example, a person might spontaneously begin a conversation with the same sentence: My dog jumps through hoops. In English, the speaker might use vocal inflection to emphasize what elements convey - semantic focus versus what elements are to be taken by the listener as given. + semantic focus versus what elements are to be taken by the listener as âgiven.â Or, the speaker might say the sentence in a neutral tone of voice, essentially - inviting the listener to choose which elements to focus upon in + inviting the listener to âchooseâ which elements to focus upon in responding, e.g., <EM>Oh, you have a dog?</EM> or <EM>Oh, does he do any other tricks? </EM>or <EM>Oh, do you use metal or plastic hoops?</EM> or an equally - neutral response such as <EM>Oh, you dont say?</EM></P> + neutral response such as <EM>Oh, you donât say?</EM></P> <P align="justify">Ithkuil uses the Focus category to accomplish the same options that such vocal inflections accomplish in English. Any formative or formatives within an Ithkuil sentence can be marked as <FONT size="2">FOCUSED</FONT> to @@ -1344,9 +1344,9 @@ of knowing the formative's nominal or verbal status.</FONT><BR> Mother entered the room and she turned on the lights.</EM></P> </BLOCKQUOTE> <P align="justify">In the first sentence, the absence of the reduplicative pronoun - she before turned implies that the entire sentence + âsheâ before âturnedâ implies that the entire sentence is to considered as one reported event with no particular element having the - focus. In the second sentence, however, the reduplicative she + focus. In the second sentence, however, the reduplicative âsheâ implies the sentence is to viewed as two separate events, the first reported as background, the second having the focus. (For example, one might utter the second sentence as a complaint about the lights being turned on.) The Ithkuil @@ -1354,9 +1354,9 @@ of knowing the formative's nominal or verbal status.</FONT><BR> the nuances of the second sentence would be conveyed by marking the equivalent of the verb form as <FONT size="2">FOCUSED</FONT>.</P> <P align="justify">Finally, Focus functions to disambiguate sentences such as - <EM>Chicago defeated Oakland, too</EM>, which means either (1) Chicago - was one of the teams that defeated Oakland, or (2) Oakland was - one of the teams that Chicago defeated. Ithkuil would mark one team name + <EM>Chicago defeated Oakland, too</EM>, which means either (1) âChicago + was one of the teams that defeated Oakland,â or (2) âOakland was + one of the teams that Chicago defeated.â Ithkuil would mark one team name or the other as <FONT size="2">FOCUSED </FONT>to show which of these two meanings is implied.</P> <P align="justify">The <FONT size="2">UNFOCUSED</FONT> attribute is morpho-phonologically @@ -1367,7 +1367,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <LI>by insertion of a -<STRONG>w</STRONG>- infix within a formative immediately following the <STRONG>C<FONT size="1">1</FONT></STRONG> radical consonant(s), or</LI> - <LI>by addition of the suffix -<STRONG>V<FONT size="1">1</FONT></STRONG> + <LI>by addition of the suffix -<STRONG>V<FONT size="1">1</FONT>â</STRONG> in several of its degrees (see <A href="ithkuil-ch7b-affixes-contd.htm#Sec7o7o13">Sec. 7.7.13</A>)</LI> <LI><A href="ithkuil-ch5a-verbs.htm#Sec5o2">Sec. 5.2</A> and <A href="ithkuil-ch6-moreverbs.htm#Sec6o4o5">Sec. @@ -1405,7 +1405,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> formative. It focuses on those features of a noun or verb which are ontologically objective, i.e., those that exist irrespective of any observers, opinions, interpretations, beliefs or attitudes. Similarly excluded from consideration in the <FONT size="2">EXISTENTIAL</FONT> - is any notion of a nouns use, function, role or benefit. The <FONT size="2">EXISTENTIAL</FONT> + is any notion of a nounâs use, function, role or benefit. The <FONT size="2">EXISTENTIAL</FONT> serves only to point out the mere existence of a noun as a tangible, objective entity under discussion. It is thus used to offer mere identification of a noun or verb. </DIV> @@ -1436,13 +1436,13 @@ of knowing the formative's nominal or verbal status.</FONT><BR> </DIV> <P align="justify">For example, in our previous sentence <EM>A cat ran past the doorway</EM>, if we now place the cat, doorway, and act of running each into - the <FONT size="2">FUNCTIONAL</FONT>, the cat no longer simply + the <FONT size="2">FUNCTIONAL</FONT>, the âcatâ no longer simply identifies a participant, it makes its being a cat (as opposed to say, a dog) significant, e.g., because the speaker may fear cats, or because the cat could get into the room and ruin the furniture, or because cats are associated with - mystery, or because a neighbor has been looking for a lost cat, etc. The doorway + mystery, or because a neighbor has been looking for a lost cat, etc. The âdoorwayâ now conveys its purpose as an entry, reinforcing what the cat may do upon entering. - Likewise, the verb ran in the <FONT size="2">FUNCTIONAL</FONT> + Likewise, the verb âranâ in the <FONT size="2">FUNCTIONAL</FONT> now implies the furtive nature of the cat.</P> <P align="justify"> </P> <TABLE width="45%" border="0" cellpadding="0"> @@ -1460,16 +1460,16 @@ of knowing the formative's nominal or verbal status.</FONT><BR> concept or entity which is abstractly associated with it. For example, the metaphorical connotations of the English sentence <EM>That pinstripe-suited dog is checking out a kitty</EM>, can be equally conveyed in Ithkuil by inflecting the words - for dog and kitty into the <FONT size="2">REPRESENTATIONAL</FONT> + for âdog and âkittyâ into the <FONT size="2">REPRESENTATIONAL</FONT> context. The <FONT size="2">REPRESENTATIONAL</FONT> is one of several ways that Ithkuil overtly renders all metaphorical, symbolic, or metonymic usages (from a grammatical standpoint). </DIV> <P align="justify"><FONT size="2" face="Arial, Helvetica, sans-serif">* Metonymy is the use of a word or phrase of one type to refer to an associated word or - phrase of a different type (usually a person), such as place-for-person in The - orders came from <EM>the White House</EM>, object-for-person in Tell - the cook <EM>the ham-and-cheese</EM> wants fries with his order or phrase-for-person - as in <EM>You-know-who</EM> just showed up.<BR> + phrase of a different type (usually a person), such as place-for-person in âThe + orders came from <EM>the White House</EM>,â object-for-person in âTell + the cook <EM>the ham-and-cheese</EM> wants fries with his orderâ or phrase-for-person + as in â<EM>You-know-who</EM> just showed up.â<BR> </FONT><BR> </P> <TABLE width="45%" border="0" cellpadding="0"> @@ -1491,7 +1491,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> within the larger context of the world. Its use indicates the speaker is inviting the hearer to subjectively consider all the subjective wonder, emotional nuances, psychological ramifications and/or philosophical implications associated with - the nouns existence, purpose, or function, as being a world unto itself, + the nounâs existence, purpose, or function, as being a world unto itself, intrinsically interconnected with the wider world beyond it on many levels. Thus the <FONT size="2">AMALGAMATE</FONT> version of our sentence <EM>The cat ran past the doorway</EM> would take on quite melodramatic implications, with @@ -1544,10 +1544,10 @@ of knowing the formative's nominal or verbal status.</FONT><BR> 2.2.3</A></FONT>). The <FONT size="2">FORMAL</FONT> imparts a sense of permanency and/or authority, raising the noun or verb to a more definitive, formal or institutional manifestation of itself, or stressing this authoritative/definitive nature if - the meaning already includes it. For example, stems translatable as symbol, - eat, thought, and a model in the <FONT size="2">INFORMAL</FONT> - would become icon, dine, idea, and - archetype in the <FONT size="2">FORMAL</FONT>.</P> + the meaning already includes it. For example, stems translatable as âsymbol,â + âeat,â âthought,â and âa modelâ in the <FONT size="2">INFORMAL</FONT> + would become âicon,â âdine,â âidea,â and + âarchetypeâ in the <FONT size="2">FORMAL</FONT>.</P> <P align="justify">The <FONT size="2">FORMAL</FONT> achieves several subtle purposes from a lexico-semantic standpoint. While some Ithkuil words would translate the same in English no matter which designation (e.g., <EM>to hurt, to float, @@ -1603,7 +1603,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> </TR> <TR> <TD> </TD> - <TD>natural environment <EM><IMG src="assets/arrow.gif" width="17" height="9"></EM>man-made + <TD>natural environment <EM><IMG src="assets/arrow.gif" width="17" height="9"></EM>âman-madeâ environment</TD> <TD>awareness <EM><IMG src="assets/arrow.gif" width="17" height="9"></EM> consciousness</TD> @@ -1661,9 +1661,9 @@ of knowing the formative's nominal or verbal status.</FONT><BR> sentences:</P> <BLOCKQUOTE> <P align="justify"> 1a) <EM>The boy ran off to sea.</EM><BR> - 1b) <EM>The boy who ran off to sea didnt run off to sea.</EM></P> + 1b) <EM>The boy who ran off to sea didnât run off to sea.</EM></P> <P align="justify">2a) <EM>The dog you saw is to be sold tomorrow.</EM><BR> - 2b) <EM>The dog you saw doesnt exist.</EM></P> + 2b) <EM>The dog you saw doesnât exist.</EM></P> </BLOCKQUOTE> <P align="justify">Sentences (1a) and (2a) appear to be straightforward sentences in terms of meaning and interpretation. However, at first blush, sentences @@ -1675,14 +1675,14 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <P align="justify">Why sentences such as (1b) and (2b) can have possible real-world meaning is because they in fact do not make reference to an actual boy or dog, but rather to hypothetical representations of a real-world boy and dog, being - used as references back to those real-world counterparts from within an alternative - mental space created psychologically (and implied linguistically) where + used as references back to those real-world counterparts from within an âalternative + mental spaceâ created psychologically (and implied linguistically) where events can be spoken about that are either unreal, as-yet-unrealized, or alternative versions of what really takes place. This alternative mental space, then, is essentially the psychological realm of both potential and imagination. In Western languages, such an alternative mental space is implied by context or indicated by certain lexical signals. One such group of lexical signals are the so-called - modal verbs of English, e.g., <EM>must, can, should</EM>, etc. + âmodalâ verbs of English, e.g., <EM>must, can, should</EM>, etc. as seen in the following:</P> <BLOCKQUOTE> <P align="justify">3) <EM>You must come home at once.</EM><BR> @@ -1788,7 +1788,7 @@ of knowing the formative's nominal or verbal status.</FONT><BR> <TD valign="top"><FONT face="Arial, Helvetica, sans-serif"><A href="ilaksh/Ilaksh_Intro.html" target="_blank">Revised Ithkuil: <FONT face="Times New Roman, Times, serif">I</FONT>laksh</A></FONT></TD> </TR> </TBODY></TABLE> -<P align="justify"><FONT size="-1">©2004-2009 by John Quijada. You may copy or +<P align="justify"><FONT size="-1">©2004-2009 by John Quijada. You may copy or excerpt any portion of the contents of this website provided you give full attribution to the author and this website. </FONT></P> <P> </P> |
