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<title>A Grammar of the Ithkuil Language - Introduction</title>
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<h2 align="center" class="style2">Ithkuil: A Philosophical Design for a Hypothetical Language<br />
  <img src="images/masthead.jpg" width="465" height="50" /></h2>
<table width="88%" border="0" align="center">
  <tr>
    <td width="14%">&nbsp;</td>
    <td width="4%">&nbsp;</td>
    <td width="19%"><p class="style3">&nbsp;</p></td>
    <td width="23%"><p class="style3">&nbsp;</p></td>
    <td width="20%">&nbsp;</td>
    <td width="20%">&nbsp;</td>
  </tr>
  <tr>
    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="index.htm">Home</a></span></td>
    <td>&nbsp;</td>
    <td height="24"><a href="00_intro.html"><span class="style6">Introduction</span></a></td>
    <td><a href="04_case.html"><span class="style6">4 Case Morphology</span></a></td>
    <td><a href="08_adjuncts.html"><span class="style6">8 Adjuncts</span></a></td>
    <td><a href="12_numbers.htm"><span class="style6">12 The Number System</span></a></td>
  </tr>
  <tr>
    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="faqs.html">FAQs</a></span></td>
    <td>&nbsp;</td>
    <td height="18"><a href="01_phonology.html"><span class="style6">1 Phonology</span></a></td>
    <td><a href="05_verbs_1.html"><span class="style6">5 Verb Morphology</span></a></td>
    <td><a href="09_syntax.html"><span class="style6">9 Syntax</span></a></td>
    <td><a href="abbreviations.html"><span class="style6">List of Abbreviations</span></a></td>
  </tr>
  <tr>
    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="links.html">Links of Interest</a></span></td>
    <td>&nbsp;</td>
    <td height="18"><a href="02_morpho-phonology.html"><span class="style6">2 Morpho-Phonology</span></a></td>
    <td><a href="06_verbs_2.html"><span class="style6">6 More Verb Morphology</span></a></td>
    <td><a href="10_lexico-semantics.html"><span class="style6">10 Lexico-Semantics</span></a></td>
    <td><a href="lexicon.htm"><span class="style6">The Lexicon</span></a></td>
  </tr>
  <tr>
    <td bgcolor="#CCCCCC">&nbsp;</td>
    <td>&nbsp;</td>
    <td><a href="03_morphology.html"><span class="style6">3 Basic Morphology</span></a></td>
    <td><a href="07_suffixes.html"><span class="style6">7 Suffixes</span></a></td>
    <td><a href="11_script.htm"><span class="style6">11 The Writing System</span></a></td>
    <td><span class="style6"><a href="texts.html">Texts</a></span></td>
  </tr>
</table>
<p>&nbsp;</p>
<p align="right" class="style24">Update: <a href="links.html"><em>The Ithkuil Grammar Is Now Available in Book Form!</em></a>&nbsp;&nbsp;&nbsp;&nbsp;<br />
</p>
<p>&nbsp;</p>
<h2 align="center">Introduction</h2>
<p align="justify" class="style7"><br />
These webpages present the grammar of an artificially  constructed human language, <strong>Ithkuil</strong>.&nbsp; It has been designed with the following goals in mind:</p>
<ol start="1" type="1" class="style7">
  <li>
    <div align="justify">The       findings of cognitive science and cognitive linguistics since the        1980s show that human cognition gives rise to and processes far more       information than is overtly expressed by natural human languages.&nbsp; Theoretically, it should be possible to       design a human-usable language that overtly expresses more (or &ldquo;deeper&rdquo;)       levels/aspects of human cognition than are found in natural human       languages.</div>
  </li>
</ol>
<div align="justify">
  <ol start="2" type="1" class="style7">
    <li>Natural       human languages are notorious for their semantic ambiguity, polysemy       (multiple meanings for a given word), semantic vagueness, inexactitude,       illogic, redundancy, and overall arbitrariness.&nbsp; Theoretically, it should be possible to       design the language to minimize these various characteristics in favor of       greater semantic precision, exactitude, and specification of a speaker&rsquo;s       cognitive intent.</li>
  </ol>
  <ol start="3" type="1" class="style7">
    <li>The       above two goals would seemingly demand that the resulting language be       long-winded, since individual words of the language (or at least any       sentence as a whole) would have to convey much more morpho-semantic       content than their natural language counterparts.&nbsp; Nevertheless, it should theoretically be       possible to accomplish the above two goals while  achieving       relatively concise morpho-phonological forms for words.&nbsp; In other words, to be able to pack a lot       of meaning and information into a relatively small number of syllables.</li>
  </ol>
</div>
<p align="justify" class="style7">Ithkuil represents the culmination of my attempts over a period of thirty years or so to achieve the above goals. It should be noted that Ithkuil is NOT intended to function like a &#8220;natural&#8221; human language. 
  Ithkuil  exists as  an exercise in exploring how human languages <em>could</em> function, 
not how human languages <em>do</em> function.</p>
<p align="justify" class="style7">&nbsp;</p>
<table cellpadding="0" width="100%" border="0">
  <tbody>
    <tr>
      <td height="20" colspan="5" valign="top" bgcolor="#cccccc" class="style7"><p><strong>How the Language   Works</strong></p></td>
    </tr>
  </tbody>
</table>
<p align="justify" class="style7">Ithkuil&#8217;s ability to express extensive cognitive detail in a concise manner is possible due to the design   of the grammar, essentially a matrix of grammatical concepts and structures   designed for compactness, cross-functionality and reusability. This matrix-like   grammar is combined with a vocabulary/lexicon of semantic stems which (1) are   capable of a high degree of flexibility and synergism within that matrix, (2)   have been completely reconceptualized from the cognitive level up regardless of   their correspondence to actual word roots and grammatical categories in existing   languages, and (3) reflect the inherent dependencies and interrelationships   between one semantic concept and another. Therefore, the morphemes of the   language (i.e., word-roots, suffixes, prefixes, grammatical categories, etc.)   are as phonetically brief as possible, function in multiple roles with one   another, and correspond more closely to human cognitive categories than in   natural languages. In this fashion, a limited number of sounds and word-roots   can be made to generate a vast array of variations and derivations corresponding   to and even surpassing all of the grammatical and semantic functions of the   usual stock of words, phrases, and idiomatic constructions in natural languages.   </p>
<p align="justify" class="style7">Additionally, the particular grammatical categories of the language, combined with a systematic and hierarchical derivational  morphology, allow for extreme transparency and flexibility in:</p>
<ul>
  <li class="style7">  gestalt conceptualization<br />
  </li>
  <li class="style7">conveying the evidential basis for an utterance<br />
  </li>
  <li class="style7">conveying the cognitive intent of an utterance<br />
  </li>
  <li class="style7">objective vs. subjective descriptions of objects, events, and phenomena<br />
  </li>
  <li class="style7">descriptions of the holistic vs. discrete componential structure of objects, situations, and phenomena<br />
  </li>
  <li class="style7">mechanistic vs. synergistic interpretations of objects, events, and phenomena</li>
  <li class="style7">the causal dynamics of complex  states, acts, events</li>
  <li class="style7">describing spatio-temporal  phenomena</li>
</ul>
<p align="justify" class="style7"><br />
As an example of the morphological richness and efficiency possible in this  language, examine the following Ithkuil sentence, comparing it to its literal  English translation:</p>
<blockquote>
  <p class="style7"><strong><img src="images/intro-1.jpg" width="136" height="50" /><br />
  Tram-m&#316;&ouml;i&nbsp;&nbsp;hh&acirc;sma&#345;p&#355;ukt&ocirc;x.</strong></p>
  <p><span class="style7">TRANSLATION: <br />
    &lsquo;<em>On the contrary, I think it may turn out that this    rugged mountain range trails off at some point</em>.&rsquo;</span>
    <span class="style7"><strong>&nbsp;&nbsp;</strong></span></p>
  <p class="style26">NOTE: See  Phonology, <a href="01_phonology.html#Sec1o2">Section  1.2</a> on how to pronounce the Romanized orthography used to transliterate the  Ithkuil characters.</p>
</blockquote>
<p align="justify" class="style7">  The reader may well wonder why it takes a 19-word sentence in English to  translate a two-word Ithkuil sentence. One might assume the sentence &ldquo;cheats&rdquo;  in that the two Ithkuil words simply have innately intricate and specialized  meanings. While it is true that the first word, <strong>tram-m&#316;&ouml;i</strong>, translates as &lsquo;<em>on the contrary, it may  turn out at some point (that...)</em>,&rsquo; and the second word, <strong>hh&acirc;sma&#345;p&#355;ukt&ocirc;x</strong>, means &lsquo;<em>I have a  feeling this unevenly high range of mountains trails off</em>,&rsquo; it would be  quite erroneous to conclude that these are simply autonomous words one might  theoretically find in an Ithkuil dictionary. Indeed, the only part of the  sentence that represents any sort of &ldquo;root&rdquo; word is -<strong>&acirc;sm</strong>-, a stem more or less meaning  &lsquo;hill&rsquo; or &lsquo;upland.&rsquo; The remainder of the sentence is made up entirely of  morphological, not lexical components, i.e., prefixes, suffixes, infixes, vowel  permutations, shifts in stress and tone, etc. For example, the first word, <strong>tram-m&#316;&ouml;i</strong>, has three parts to it as  shown below:</p>
<p align="justify" class="style7">&nbsp;</p>
<table border="0" cellpadding="0" width="95%">
  <tr>
    <td width="4%" height="39" class="style7"><p>&nbsp;</p></td>
    <td width="3%" valign="top" class="style7"><p>1.</p></td>
    <td width="8%" valign="top" class="style7"><p><span class="style25"><strong>tr(a)</strong>-</span></p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td width="81%" valign="top" class="style7"><p>an affix indicating a rebuttal to an allegation,    translatable as <em>&lsquo;on the contrary...&rsquo;</em></p></td>
  </tr>
  <tr>
    <td height="59" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>2.</p></td>
    <td width="8%" valign="top" class="style7"><p><span class="style25"><strong>m-m&#316;</strong>-</span></p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td width="81%" valign="top" class="style7"><p>an infix which conveys both aspectual information    translatable as <em>&lsquo;it turns out (to be) that&rsquo;</em> or <em>&lsquo;it is revealed that,&rsquo;</em> plus    subjunctive mood, translatable as&nbsp;    <em>&lsquo;(it) may (be that)...&rsquo;</em></p></td>
  </tr>
  <tr>
    <td height="33" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>3.</p></td>
    <td width="8%" valign="top" class="style7"><p><span class="style25">-<strong>&ouml;i</strong></span></p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td width="81%" valign="top" class="style7"><p>an aspectual suffix translatable as <em>&lsquo;at some point&rsquo;</em> or    <em>&lsquo;somewhere along the way&rsquo;</em></p></td>
  </tr>
</table>
<p class="style7"><br />
  The second word, <span class="style24">hh&acirc;sma&#345;p&#355;ukt&ocirc;x</span>,  breaks down morphologically as follows:</p>
<table border="0" cellpadding="0" width="95%">
  <tr>
    <td width="4%" height="60" class="style7"><p>&nbsp;</p></td>
    <td width="3%" valign="top" class="style7"><p>1.</p></td>
    <td width="9%" valign="top" class="style7"><p class="style25"><strong>hh</strong>-</p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td colspan="3" valign="top" class="style7"><p>an affix indicating a conclusion based on the speaker&rsquo;s    intuition, translatable as <em>&lsquo;I have a feeling (that)...&rsquo;</em></p></td>
  </tr>
  <tr>
    <td height="40" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>2.</p></td>
    <td width="9%" valign="top" class="style7"><p class="style25"><strong>-&acirc;sm(a)-</strong></p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td colspan="3" valign="top" class="style7"><p>a stem meaning &lsquo;hill, upland,&rsquo; in turn derived from the    root -<strong>sm</strong>- indicating the level of    a landscape </p></td>
  </tr>
  <tr>
    <td height="91" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>3.</p></td>
    <td width="9%" valign="top" class="style7"><p class="style25">-<strong>&#345;p&#355;</strong>-</p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td colspan="3" valign="top" class="style7"><p>an affix indicating (1) that the stem is to be    re-interpreted as comprising a composite entity of non-identical members    consolidated together into a single segmented whole (i.e., <em>&lsquo;hill&rsquo;</em> becomes    <em>&lsquo;uneven range of hills&rsquo;</em>), and (2) that the entity displays depletion (i.e.,    &lsquo;trailing off&rsquo; or &lsquo;petering out&rsquo;)</p></td>
  </tr>
  <tr>
    <td height="48" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>4.</p></td>
    <td width="9%" valign="top" class="style7"><p class="style25">-<strong>ukt</strong>-</p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td colspan="3" valign="top" class="style7"><p>a demonstrative suffix translatable as <em>&lsquo;this&rsquo;</em> (= &lsquo;the one    in question&rsquo; or &lsquo;the one at hand&rsquo;)</p></td>
  </tr>
  <tr>
    <td height="87" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>5.</p></td>
    <td width="9%" valign="top" class="style7"><p class="style25">-<strong>&ocirc;x</strong></p></td>
    <td width="4%" valign="top" class="style7"><p>=</p></td>
    <td colspan="3" valign="top" class="style7"><p>a suffix indicating that the stem is to be interpreted as    being very large in size, and furthermore, that the increase in size creates    a new gestalt entity, i.e., not simply a &lsquo;very large hill or upland&rsquo; but    rather a <em>&lsquo;mountain&rsquo;</em></p></td>
  </tr>
  <tr>
    <td height="58" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>6.</p></td>
    <td colspan="3" valign="top" class="style7"><p class="style28">stress on    penultimate (i.e., second-from-last) syllable </p></td>
    <td width="2%" valign="top" class="style7"><p>=</p></td>
    <td width="69%" valign="top" class="style7"><p>provides partial information on how the stem specifically    derives from its semantic root</p></td>
  </tr>
  <tr>
    <td height="38" class="style7"><p>&nbsp;</p></td>
    <td valign="top" class="style7"><p>7.</p></td>
    <td colspan="3" valign="top" class="style7"><p class="style28">falling    tone (unmarked)</p></td>
    <td valign="top" class="style7"><p>=</p></td>
    <td valign="top" class="style7"><p>statement reflects an end-in-itself rather than a    goal-oriented situation</p></td>
  </tr>
</table>
<p class="style7">&nbsp;</p>
<p align="justify" class="style7">  In addition to its morphology, Ithkuil is different from other languages in the   way its lexicon (stock of word-roots) has been created as well as in the principles   underlying its lexico-semantics (the relationship between words and meaning). In   natural languages, the choice as to what mental concepts and categories will be   overtly reflected as word-roots and stems is arbitrary and unsystematic (while   in most invented languages, the lexicon is by and large consciously or   sub-consciously patterned after that of natural languages). While it is true   that virtually all languages reflect certain basic universals of word choice   (e.g., all have words for <em>sun, moon, speak, mother, father, laugh, I, you,   one, two, water, blood, black, white, hot, cold</em>, etc.), the manner in which   these words are created is haphazard and with little regard for basic conceptual   interrelationships. The result, in most cases, is a plethora of separate,   distinct word roots which bear no morpho-phonological, or morpho-semantic   relation to one another (i.e., the patterns of sounds used to create particular   words are unsystematic and independent for each word-root regardless of whether   those word-roots are semantically or cognitively related to one another).   Ithkuil word-roots have been created in a more efficient and systematic manner,   with a recognition that the interrelatedness between what are large sets of   discrete words in other languages can be formalized and systematized into a vast   array or matrix of derivational rules, the result being a drastic reduction in   the number of basic word-roots, which in turn allows all individual stems to be   extremely compact phonologically-speaking. </p>
<p align="justify" class="style7">For example, consider the following series of English words: <em>see, sight, vision, glimpse, stare, gawk, view, panorama, look, eye, glance,   visualize</em>. Note how each of these is a separate, autonomous word despite   the fact that it shares a single underlying semantic concept with the others (a   concept which we can conveniently refer to as SIGHT/VISION),   each representing a mere manipulation of either durational aspect, situational   perspective, or manner of participation relating to that underlying concept.   What is more, these manipulations are, by and large, haphazardly applied, vague,   subjective, and particular to the specific underlying concept (i.e., the   aspectual/perspectival manipulations applied to SIGHT/VISION   do not parallel those manipulations applied to the concept TRANSFERENCE OF POSSESSION by which we derive the series <em>give,   take, receive, steal, donate, lend, borrow, send</em>, etc.). </p>
<p align="justify" class="style7">In Ithkuil, it is the seminal underlying concept which is   lexified into a word-root which then undergoes a series of regular, predictable,   and universally applicable modifications at the morphological (i.e.,   grammatical) level to generate new words that, in some cases, parallel such   series of English words, but in most cases, far exceed the dynamism and range of   such English word series. </p>
<p align="justify" class="style7">Another principle underlying the formation of words in Ithkuil   is <strong>complementarity</strong>. Western thought and language generally   reflect Aristotelian logic in the way they conceptualize the world and the   interrelationships between discrete entities in that world. Ithkuil, on the   other hand, views the world as being based on complementary principles, where,   instead of discrete independence between related entities, such concepts are   seen as complementary aspects of a single holistic entity. Such complementarity   is in turn reflected in the derivation of word-roots. By &ldquo;complementarity&rdquo; is   meant that the manifestation of a concept appears in any given context as either   one sort of entity or another, but never both simultaneously; yet, neither   manifestation can be considered to be a discrete whole without the existence of   the other. A simple illustration of complementarity is the flip of a coin: the   coin can only land on one side or the other, yet without both sides being part   of the coin, any given coin toss has no meaning or contextual relevance no   matter which side is face-up. </p>
<p align="justify" class="style7">For example, in Western languages, words such as <em>male</em>, <em>night</em>, <em>limb</em>, <em>sit</em>, and <em>happen</em> are all   autonomous words, linguistically representing what are inherently considered to   be basic mental concepts or semantic primitives. However, in Ithkuil, none of   these words is considered to be a semantic primitive. Instead, they are seen to   be parts of greater, more holistic semantic concepts, existing in complementary   relationship to another part, the two together making up the whole. </p>
<p align="justify" class="style7">Thus, Ithkuil lexical structure recognizes that the word <em>male</em> has no meaning in and of itself without an implicit recognition of   its complementary partner, <em>female</em>, the two words mutually deriving from   a more basic, holistic concept, translatable into English as <em>living   being</em>. Similarly, the word <em>night(time)</em> derives along with its   complement <em>day(time)</em> from the underlying concept translatable as <em>day</em> (24-hour period), while <em>limb</em>, along with its complement <em>trunk</em> or <em>torso</em>, derives from the stem <em>(corporeal)   body</em>. </p>
<p align="justify" class="style7">Actions, too, are not exempt from this principle of   complementarity, an example being the relationship between <em>sit</em> and <em>seat</em>; one has no meaning without an implicit and joint partnership with   the other, i.e., one cannot sit unless one sits upon something, and whatever one   sits upon automatically functions as a seat. We see the awkward attempt of   English to convey these jointly dependent but mutually exclusive perspectives   when comparing the sentences <em>Please sit down</em> and <em>Please be   seated</em>. Another example involves the word <em>happen</em> or <em>occur</em>, which Ithkuil recognizes as having no real meaning without the   attendant implication of <em>consequence</em> or <em>result</em>, the two being   complementary components of a holistic concept roughly translatable as <em>event</em> or <em>situation</em>.</p>
<p align="justify" class="style7">The Ithkuil word for <em>hole</em> illustrates another instance   of complementarity. Holes can be looked at from two different, but interrelated   perspectives: either as an opening connecting two different spaces (or access   point to a previously unavailable space, i.e., a pit), or as a discontinuity in   the surface or structural integrity of the dividing entity separating the two   realms. In other words, one can focus on the potential function or consequences   of the hole, or on the structural nature of the hole. Either of these two   perspectives represents a legitimate, but complementary way to consider a hole   or puncture. Thus, the Ithkuil word would have two derivative roots each   indicating one of these two perspectives. One such root would be used when   saying <em>There&rsquo;s a hole in your shirt</em>, while the other would be used when   saying <em>She saw me through a hole in the fence</em>.</p>
<p align="justify" class="style7">Ithkuil recognizes that such complementarity exists for   virtually any concept, in fact that it is one of the foundational principles of   the universe itself. No beam of light can be spoken of without implicit   recognition of its source. No signal can be described without accounting for the   signaling device. Indeed, in Ithkuil no river is without its channel, no surface   without its firmament, no message without its medium, no sense impression   without its sense faculty, no contents without their container, no occurrence   without its consequence, no memory without its present effect, no plan without   its purpose, no music without its playing, no relief without prerequisite   deprivation, no pleasure without its absence, no motion without space in which   to move.</p>
<p align="justify" class="style7">Other principles underlying Ithkuil word-derivation include the   interrelated principles of fuzzy logic, prototype theory, and radial   categorization. Incorporation of these principles into the architecture for   word-formation allows roots to be grouped into various types of affiliated sets,   each of which then functions as a conceptual gestalt, the individual members of   which being marked as having varying degrees and kinds of relatedness or   similarity to a hypothetical prototype member or archetype. Thus, Ithkuil is   able to systematically derive words such as <em>crowd, mob, group, troop, club,   association, assembly, </em>and <em>gathering</em> all from the single root-word <em>person</em>. Similarly, words such as <em>grove, orchard, forest, woods,   jungle</em>, and <em>copse</em> can all be derived from the single root-word <em>tree</em>.</p>
<p align="justify" class="style7">As one last example exemplifying the dynamism and conciseness   of Ithkuil lexico-semantics, consider the following list of English words and   phrases: <em>drenched, wet, damp, moist, near-dry, dry, parched</em>. Rather   than provide separate autonomous words for these concepts, Ithkuil recognizes   that these terms all indicate relative degrees of moisture along a continuous   range. Such continua would be addressed by a single root whose meaning more or   less corresponds to [DEGREE OF] MOISTURE to which an array   of simple suffixes would be added to specify the particular degree along that   range, all the way from <em>bone dry</em> (or <em>parched</em>) through <em>drenched </em>to<em> saturated</em>. All such phenomena which Western   languages tend to semantically delineate into binary oppositions (e.g., <em>hard/soft, light/dark, shallow/deep</em>, etc.) are recognized and lexified   in Ithkuil as single roots which then systematically use suffixes to specify the   particular degree along a continuous range.</p>
<p align="justify" class="style7">The above paragraphs illustrate how Ithkuil is able to capture   and systematically present at the morphological level what other languages   accomplish haphazardly at the lexical level. By systematically finding and   structuring the covert dependencies and interrelationships between what are   disparate words in other languages, the hundreds of thousands of words in a   language like English are drastically reduced down to the approximately 3600 word-roots of   Ithkuil. This is morpho-lexical efficiency on a grand scale. Nevertheless, by   means of the matrix-like morphological scheme previously described, each of   these  roots can in turn generate thousands of permutations to convey   complex and subtle semantic distinctions and operations which dwarf the capacity   of existing languages to convey without resorting to cumbersome paraphrase. This   is lexico-semantic and morpho-semantic efficiency on an equally grand scale.   Such a synergistic design for grammar lends a dynamism that allows the Ithkuil   language to describe reality to a minute level of detail and exactitude despite   a limited number of word-roots. This dynamism is visible throughout this work,   but is discussed in systematic detail in <a href="10_lexico-semantics.html">Chapter 10: Lexico-Semantics</a>.</p>
<p align="justify" class="style7">&nbsp;</p>
<table cellpadding="1" width="100%" border="0">
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      <td height="22" colspan="5" valign="center" bgcolor="#cccccc" class="style7"><p><strong>Addressing the Vagueness Inherent in Natural   Languages</strong></p></td>
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<p align="justify" class="style7">To further illustrate the cognitive depth at which Ithkuil   operates, consider one of the most pervasive aspects of natural human languages:   semantic vagueness. For example, consider the following four English   sentences:</p>
<blockquote class="style7">
  <blockquote>
    <p align="justify">(a)<em> The boy rolled down the hill.</em><br />
      (b) <em>Maybe she   just stopped smoking.</em><br />
      (c) <em>Joe didn&rsquo;t win the lottery   yesterday.</em><br />
      (d) <em>There is a dog on my   porch.</em></p>
  </blockquote>
</blockquote>
<p align="justify" class="style7">In examining these four sentences most native English speakers   would deny that any vagueness exists. This is because the vagueness does not   exist in terms of the overt meanings of the words themselves. Rather, the   vagueness lies at the nearly subconscious level of their grammatical (or   syntactical) relations and cognitive intent. For example, in sentence (a) we   have no idea whether the boy chose to roll himself down the hill or whether he   was pushed against his will. (In formal linguistic terms we would say it is   unknown whether the semantic role of the subject &lsquo;boy&rsquo; is as <em>agent</em> or <em>patient</em>.) And yet knowing which scenario is correct is crucial to   understanding the speaker&rsquo;s intent in describing the action. </p>
<p align="justify" class="style7">Imagine sentence (b) <em>Maybe she just stopped smoking</em> being spoken as an answer to the question &lsquo;Why does she seem so irritable?&rsquo; In   interpreting sentence (b), we have no idea whether the subject is indeed a   smoker or not; i.e., is the speaker offering this speculation because he/she   knows the subject to be a smoker, or as mere conjecture without knowledge one   way or the other whether the subject smokes or not? </p>
<p align="justify" class="style7">Sentence (c) <em>Joe didn&rsquo;t win the lottery yesterday</em> illustrates four-way ambiguity. Joe&rsquo;s failure to win the lottery could be either   because: the speaker knows Joe didn&rsquo;t play; because the speaker knows Joe did   play but lost; because the speaker doesn&rsquo;t know whether Joe played or not and is   simply voicing a conjecture; or because the statement is an inference based on   some indirect clue (e.g., since Joe showed up for work today, he must not have   won the lottery).</p>
<p align="justify" class="style7">And while sentence (d) <em>There is a dog on my porch   s</em>eems on its surface to be the most straightforward of the four,   is the intent of the speaker to simply describe and identify the participants to   a scene, or does she wish to convey the idea that the scene has personal   significance to her, e.g., because she has a phobia of dogs or has been waiting   for a long-lost pet dog to return home? In other words, the sentence itself does   not convey the intent behind the utterance, only the static description of the   scene.</p>
<p align="justify" class="style7">In all four instances, such vagueness exists unless and until   the audience can ascertain information from the surrounding context of other   sentences. This shows that, despite the fact that all four sentences are   grammatically well-formed English sentences whose words in and of themselves are   unambiguous, their grammar alone is insufficient to convey the cognitive   information necessary to fully comprehend the intent of the speaker&rsquo;s utterance.   This failure of grammar to inherently convey the requisite information necessary   to understand a speaker&rsquo;s cognitive intent is a functional pitfall of human   language in general which Ithkuil grammar has been designed to avoid. The   Ithkuil equivalents to the above four sentences would mandatorily convey all of   the &ldquo;missing&rdquo; information noted above without requiring any extra words not   corresponding to the English originals. The grammatical elements of the words   themselves (word-selection, declensions, conjugations, prefixes, suffixes, etc.)   would convey all the elements mentioned.</p>
<p align="justify" class="style7">Similar examples can be given to show the extent to which   natural languages such as English must often resort to idiomatic expressions,   metaphor, paraphrase, circumlocution and &ldquo;supra-segmental&rdquo; phenomena (e.g.,   changing the pitch of one&rsquo;s voice) in their attempts to convey a speaker&rsquo;s   intended meaning. Ithkuil grammar has been designed to overtly and unambiguously   reflect the intention of a speaker with a minimum of such phenomena.</p>
<p align="justify" class="style7">&nbsp;</p>
<table cellpadding="1" width="100%" border="0">
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      <td height="22" colspan="5" valign="top" bgcolor="#cccccc" class="style7"><p><strong>Comparison to Other Constructed   Languages</strong></p></td>
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<p align="justify" class="style7">Those readers familiar with the history of <a href="http://en.wikipedia.org/wiki/Constructed_language" target="_blank">artificial language construction</a> might think this endeavor   belated or unnecessary, in that logical languages such as James Cooke Brown&rsquo;s renowned Loglan   (or its popular derivative, Lojban) already exist. This serves to illustrate   exactly what distinguishes Ithkuil from such previous attempts. Loglan was   published in the 1950s as a spoken/written language based on symbolic logic   (formally known as the first-order predicate calculus), an algorithmic system of   symbol manipulation devised by mathematicians and logicians. As a result, one   might think that such a language is the most capable means of achieving logical,   unambiguous linguistic communication. However, Loglan and its derivatives are   merely sophisticated tools for symbol manipulation, i.e., the levels of language    known as morphology and syntax. It is not within the scope of   such languages to address any reorganization of the semantic realm. This means   that symbolic logic simply manipulates arguments which are input into the   system, they do not analyze the origin of those arguments in terms of meaning,   nor are they capable of analyzing or formalizing the structure of the cognitive   or semantic realm of the human mind in terms of how meaning itself is assigned   to arguments. (Indeed, Lojban derives its roots via statistical &ldquo;sampling&rdquo; of   the most frequent roots in the six most spoken natural languages, a method   virtually guaranteed to carry over into the Lojban lexicon all of the   lexico-semantic inefficiencies previously described.) By not addressing these   components of language, Loglan and similar efforts fail to address the   inconsistencies and inefficiency inherent in language at the lexico-semantic   level. Ithkuil has been designed to systematically address this issue. </p>
<p align="justify" class="style7">Other readers might think of international languages (or   &ldquo;interlanguages&rdquo;) such as Esperanto, Interlingua, or Ido, as being logical and   efficient representations of language. However, these languages are merely   simplified, regularized amalgamations of existing languages (usually   Indo-European), designed for ease of learning. While addressing many overt   irregularities, inconsistencies, and redundancies of language found at the   morpho-phonological and morpho-syntactic levels, they do little to address the   problems found within the other components of language, especially the   lexico-semantic. For example, while Esperanto admirably employs systematic rules   for word derivation as <em>knabo</em> &lsquo;boy&rsquo; versus <em>knabino</em> &lsquo;girl,&rsquo; it   preserves the basic lexico-semantic categorization scheme of Indo-European   languages in general, rather than seeking opportunities to expand such word   derivation schemes into multidimensional arrays as is done in Ithkuil.</p>
<p align="justify" class="style7">All in all, neither logical languages such as Loglan nor   interlanguages such as Esperanto, are designed specifically to achieve the   purpose of cognitive exactness and conciseness of communication which is the   goal of Ithkuil. Actually, Ithkuil might more readily be compared with the <a href="http://www.alamut.com/subj/artiface/language/johnWilkins.html" target="_blank">analytical language of John Wilkins</a> of the Royal Society of   London, published in 1668, in which he divided the realm of human conception   into forty categories, each containing a hierarchy of subcategories and   sub-subcategories, each in turn systematically represented in the phonological   structure of an individual word. While unworkable in   terms of specifics, Wilkins&rsquo; underlying principles are similar in a simplistic   way to some of the abstract derivational principles employed in Ithkuil   lexico-morphology and lexico-semantics. Another comparable predecessor in a   simplistic sense is the musical language, Solresol, created by Jean Fran&ccedil;ois   Sudre and published in 1866.</p>
<p align="justify" class="style7">&nbsp; </p>
<table cellpadding="1" width="100%" border="0">
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      <td height="22" colspan="5" valign="top" bgcolor="#cccccc" class="style7"><p class="style7"><strong>A Brief History of the Language&rsquo;s Development</strong></p></td>
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  </tbody>
</table>
<p align="justify"><span class="style7">The design of Ithkuil has slowly and painstakingly evolved from my   early attempts as a teenager (following my introduction to the Sapir-Whorf   hypothesis and Charles Fillmore&rsquo;s seminal 1968 article on case grammar) to   explore beyond the boundaries of Western Indo-European languages to a complex,   intricate array of interwoven grammatical concepts, many of which are wholly of   my own creation, others of which have been inspired by such obscure linguistic   sources as the morpho-phonology of Abkhaz verb complexes, the moods of verbs in   certain American Indian languages, the aspectual system of Niger-Kordofanian   languages, the nominal case systems of Basque and the Dagestanian languages, the   enclitic system of Wakashan languages, the positional orientation systems of   Tzeltal and Guugu Yimidhirr, the Semitic triliteral root morphology, and the   hearsay and possessive categories of Suzette Elgin&rsquo;s L&aacute;adan language, not to   mention ideas inspired by countless hours studying texts in theoretical   linguistics, cognitive grammar, psycholinguistics, language acquisition,   linguistic relativity, semantics, semiotics, philosophy, fuzzy set theory, and   even quantum physics. The writings of the American cognitive linguists George Lakoff, Ronald Langacker, Gilles Fauconnier, and Len Talmy have been particularly influential on Ithkuil&#8217;s design.</span></p>
<p align="justify" class="style7">The Ithkuil writing system likewise derives from both original   and inspired sources: it employs a unique &ldquo;morpho-phonemic&rdquo; principle of my own   invention, its logical design borrows from the mutational principles underlying   the Ethiopic and Brahmi scripts, and its aesthetic visual design bears a   superficial resemblance to Hebrew square script and the various Klingon   fonts.</p>
<p align="justify" class="style7">The first  version of  Ithkuil was originally posted to the Internet in early  2004.&nbsp; A second, alternative version of the language called Ilaksh   was posted during mid-2007, designed  specifically to address the many requests   for a version of the  language with a simpler phonology (sound system). <span class="style7">During the course of modifying the original version of Ithkuil into  Ilaksh, I realized  there were many aspects of Ilaksh design that could be  incorporated back into Ithkuil without the constraints of Ilaksh on the number  of consonants and vowels. This would (hopefully)  allow the language to be more euphonic to the  ear while maintaining its morpho-phonological conciseness.&nbsp;</span>Additionally, hindsight has caused me to re-think  a few fine points of the grammar, which this latest design allows me to  incorporate into the language.&nbsp; </p>
<p align="justify"><font size="+1">Introduced in July 2011, t</font><font size="+1">his third incarnation of the language (which shall retain  the name &ldquo;Ithkuil&rdquo; out of convenience and continuity with the original  version), reflects these ideas and now constitutes what I  consider to be  the definitive (or &ldquo;official&rdquo;) version of the language. The name of the language is an anglicized form of the word <strong>i&#355;ku&icirc;l</strong>, which means more or less <span class="style9"><font size="+1">&ldquo;</font>hypothetical representation of a language<font size="+1">&rdquo;</font></span> in the original version of Ithkuil.</font></p>
<p align="justify" class="style7">&nbsp; </p>
<table cellpadding="1" width="100%" border="0">
  <tbody>
    <tr>
      <td height="22" colspan="5" valign="top" bgcolor="#cccccc" class="style7"><p class="style7"><strong>About the Grammar Presentation</strong></p></td>
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  </tbody>
</table>
<p align="justify" class="style7"><a name="terminology" id="terminology"></a>This website provides a systematic presentation of the grammar   of the language. In addition to a description of the various components of the   grammar, the reader will find example phrases or sentences illustrating those   components. The navigational links at   the top and bottom of this page lead to chapters on the major grammatical components of   the language and should be preferably read in sequence, as each chapter is cumulative and   assumes knowledge of the preceding. While this grammar assumes only a basic   knowledge of linguistic concepts, it will be helpful to briefly familiarize the   reader with the hierarchical/schematic structure of human language in general,   as the organization of this grammar is somewhat based around this structure. The   analysis of human language can be organized into the following hierarchical   schema of primary concepts:</p>
<ul class="style7">
  <li>
    <div align="justify"><strong>Phonology</strong>: The manner in which vocally   articulated sound is structured for use within a language; this is the basic   realm of the acoustic sounds produced by the lungs, vocal cords, tongue, and   lips, i.e., consonants, vowels, volume, pitch, tone, stress, etc.<br />
    </div>
  </li>
  <li>
    <div align="justify"><strong>Morphology</strong>: The grammatical rules,   structures, categories and functions which can be manipulated to form words and   the component phrases of sentences; this is the realm of prefixes, suffixes,   word-roots, and conceptual categories like tense, singular vs. plural, moods,   active vs. passive voice, etc.<br />
    </div>
  </li>
  <li>
    <div align="justify"><strong>Syntax</strong>: The rules governing how words and   phrases can be combined into grammatically acceptable sentences. <br />
    </div>
  </li>
  <li>
    <div align="justify"><strong>Semantics</strong>: The realm of meaning; what the   words, phrases, and syntactical structures of the language represent in terms of   meaning.<br />
    </div>
  </li>
  <li>
    <div align="justify"><strong>Lexicon</strong>: The list of word-roots within a   language, i.e., the vocabulary of the language. <br />
    </div>
  </li>
  <li>
    <div align="justify"><strong>Pragmatics</strong> <strong>and Discourse   Rules</strong>: The analysis of how language is actually used in real-world   situations as determined by cultural and context-driven rules; the realm of   style, rhetoric, formal versus informal language, slang, etc., outside the realm   of grammar. Because this is a formal grammar for a hypothetical language (i.e.,   it has no &ldquo;real world&rdquo; linguistic context), pragmatics and discourse rules will   not be covered. </div>
  </li>
</ul>
<div align="justify" class="style7">
  <div align="justify">
    <blockquote>
      <div align="justify">
        <div align="justify"></div>
      </div>
    </blockquote>
  </div>
</div>
<div align="justify" class="style7">The above components of language in turn operate in an   interrelated fashion, combining to designate several additional or secondary   levels of analysis. For example:</div>
<div align="justify" class="style7">
  <ul>
    <li><strong>Morpho-phonology</strong>: The interrelationship between phonology   and morphology, i.e., the manner in which the sounds of the language are   manipulated into structures that can contain meaning. For example it is   morpho-phonology that explains why different word-endings signify concepts such   as masculine or feminine in Spanish. <br />
    </li>
    <li><strong>Morpho-syntax</strong>: The interrelationship between morphology and   syntax, i.e., how the grammatical structures within words impact the overall   structure of a sentence, as illustrated by the relationship between the   sentences <em>It is undeliverable</em> versus <em>It cannot be   delivered</em>.<br />
    </li>
    <li><strong>Lexico-Morphology</strong>: The interrelationship between morphology   and the lexicon, i.e., the structure of word-roots and how they interact with   other morphological categories, as illustrated by the concept of &ldquo;irregular&rdquo;   verbs, e.g., &lsquo;go&rsquo; + PAST = &lsquo;went.&rsquo;<br />
    </li>
    <li><strong>Lexico-Semantics</strong>: The interrelationship between the lexicon   and semantics, i.e. between words and their meaning; what mental concepts are   selected by a language to be instantiated as word-roots and the cognitive   processes behind the selection criteria. </li>
  </ul>
</div>
<p align="justify" class="style7">The interrelationships between these components can be   illustrated by the following diagram.</p>
<p align="center" class="style7"><img height="198" src="images/Intro_1.gif" width="479" align="top" /></p>
<p align="center" class="style7">&nbsp;</p>
<p align="justify" class="style7">Each example comprises an Ithkuil word, phrase, or sentence written   in native Ithkuil script, accompanied by a Romanized transliteration, an English   translation (sometimes divided into a &ldquo;natural&rdquo; versus literal translation), and   a morphological analysis. The morphological analysis is presented serially,   morpheme-by-morpheme, using three-letter abbreviations or labels for Ithkuil   morphological categories. These labels are presented within the body of the work   in conjunction with the explanation of each morphological category. A <a href="abbreviations.html">list of these abbreviations</a> is also available on the main naviagtional menu at the top and bottom of each page of the site.</p>
<p align="justify" class="style7">This work is not meant as a primer or means of self-instruction   in speaking the language, a task beyond even its creator, given that Ithkuil may   be perhaps the most grammatically complex language ever devised. Simplicity was   not my purpose, but rather bridging the gap between extreme morphological   dynamism, the overt reflection of human cognitive processes via language, and   extreme morpho-semantic economy and efficiency. I believe I have achieved a   result which is close to the ideal I sought. I leave it to the reader to explore   that result.</p>
<p align="justify" class="style7"><span class="style7"> My work on Ithkuil is dedicated to my brother Paul, in fond remembrance of <em>Kccoj</em>, <em>Mbozo</em>, and all the fun times we had</span> growing up playing with language and linguistics. <em>Aniamtrexu tanskbitero!</em></p>
<p align="justify" class="style7">And I dedicate this new 2011 version of the language to  Ms. Alla Vishneva<span class="style7">, who teaches students about Ithkuil in Kyiv, Ukraine, and to whom  my work is as important as it is to me. <em>&#1044;&#1103;&#1082;&#1091;&#1102;, &#1040;&#1083;&#1083;&#1072;. &#1058;&#1080; &#1084;&#1072;&#1108;&#1096; &#1088;&#1072;&#1094;&#1110;&#1102;!</em></span></p>
<p align="center" class="style7">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&#8212;<em>John Quijada</em><br />
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; July, 2011</p>
<p align="center" class="style7">&nbsp;</p>
<p align="center" class="style7">&nbsp;</p>
<p align="right" class="style23"><a onclick="javascript:changenav2();" href="01_phonology.html">Proceed to   Chapter 1: Phonology &gt;&gt;</a></p>
<p align="center" class="style7">&nbsp;</p>
<p align="center" class="style7"><br />
</p>
<blockquote>
<table width="93%" border="0" align="center">
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    <td width="19%"><p class="style3">&nbsp;</p></td>
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    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="index.htm">Home</a></span></td>
    <td>&nbsp;</td>
    <td height="24"><a href="00_intro.html"><span class="style6">Introduction</span></a></td>
    <td><a href="04_case.html"><span class="style6">4 Case Morphology</span></a></td>
    <td><a href="08_adjuncts.html"><span class="style6">8 Adjuncts</span></a></td>
    <td><a href="12_numbers.htm"><span class="style6">12 The Number System</span></a></td>
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    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="faqs.html">FAQs</a></span></td>
    <td>&nbsp;</td>
    <td height="18"><a href="01_phonology.html"><span class="style6">1 Phonology</span></a></td>
    <td><a href="05_verbs_1.html"><span class="style6">5 Verb Morphology</span></a></td>
    <td><a href="09_syntax.html"><span class="style6">9 Syntax</span></a></td>
    <td><a href="abbreviations.html"><span class="style6">List of Abbreviations</span></a></td>
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    <td bordercolor="#CCCCCC" bgcolor="#CCCCCC"><span class="style6"><a href="links.html">Links of Interest</a></span></td>
    <td>&nbsp;</td>
    <td height="18"><a href="02_morpho-phonology.html"><span class="style6">2 Morpho-Phonology</span></a></td>
    <td><a href="06_verbs_2.html"><span class="style6">6 More Verb Morphology</span></a></td>
    <td><a href="10_lexico-semantics.html"><span class="style6">10 Lexico-Semantics</span></a></td>
    <td><a href="lexicon.htm"><span class="style6">The Lexicon</span></a></td>
  </tr>
  <tr>
    <td bgcolor="#CCCCCC">&nbsp;</td>
    <td>&nbsp;</td>
    <td><a href="03_morphology.html"><span class="style6">3 Basic Morphology</span></a></td>
    <td><a href="07_suffixes.html"><span class="style6">7 Suffixes</span></a></td>
    <td><a href="11_script.htm"><span class="style6">11 The Writing System</span></a></td>
    <td><span class="style6"><a href="texts.html">Texts</a></span></td>
  </tr>
</table>
<p>&nbsp;</p>
</blockquote>
<table width="98%" border="0">
  <tr>
    <td width="18%" height="219"><a href="http://www.lulu.com/product/paperback/a-grammar-of-the-ithkuil-language/18672158?productTrackingContext=search_results/search_shelf/center/1" target="_blank"><img src="images/front_cover-small.png" alt="Cover of Ithkuil Grammar book" width="164" height="212" border="0" /></a></td>
    <td width="66%" valign="top"><p class="style7">&nbsp;</p>
        <p class="style7">For those who would like a copy of the Ithkuil Grammar<br />
          in book form, <a href="http://www.lulu.com/product/paperback/a-grammar-of-the-ithkuil-language/18672158?productTrackingContext=search_results/search_shelf/center/1" target="_blank">it is now available!</a> </p>
      <p align="right"><span class="style7">And while you&#8217;re at it, you can check out the novel I co-<br />
        wrote</span><span class="style7"> with my twin brother Paul, <a href="http://www.lulu.com/product/paperback/beyond-antimony/18666681?productTrackingContext=search_results/search_shelf/center/1" target="_blank">also now available!</a> </span></p>
      <p align="right"><span class="style7">(It&#8217;s a  political thriller/science fiction story that explores the<br />
        philosophical implications of quantum physics, and features<br />
        Ithkuil  as a &#8220;para-linguistic&#8221; interface to a quantum computer.)</span></p></td>
    <td width="16%" valign="middle"><p class="style7"><a href="http://www.lulu.com/product/paperback/beyond-antimony/18666681?productTrackingContext=search_results/search_shelf/center/1" target="_blank"><img src="images/front_cover-novel.png" alt="Cover of &quot;Beyond Antimony&quot; by John &amp; Paul Quijada" width="149" height="217" border="0" align="top" /></a></p></td>
  </tr>
</table>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<blockquote>
  <p align="justify">&copy;2004-2011 by John Quijada. You may copy or excerpt   any portion of the contents of this website for private, individual, or  personal use which is non-commercial in nature and not for purposes of profit. Otherwise, you may copy or excerpt brief portions of the contents of this website  in published, web-accessible, or commercially distributed articles,  papers or webpages for purposes of review,  commentary or analysis, provided you give full attribution   to the author and this website. </p>
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